After compression some degree of equalization may be needed to compensate for the shift in spectral balance that compression often causes, or worse still, to compensate for a poor mix-down. After the mix-down the final mix will more often than not have some level of dynamic range compression applied to it, either through a conventional compressor or a multi-band compressor like that available in the Finalizer. Har-Bal principally addresses the issue of equalization in a newer way. By coupling spectrum analysis with linear phase digital filtering Har-Bal provides the most powerful, yet functionally simple means of re-adjusting the spectral balance of sound recordings, be they original new masters, or re-masters of existing works. You do not need golden ears to judge where the problem areas of a particular recording lie as the spectrum measurement gives you an accurate indication of this.
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